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Karl Hugo Schmölz was a German photographer.
In collaboration with the great Rhineland architects of his time, including Adolf Abel, Bruno Pohl, Dominik Böhm, Gottfried Böhm, Hermann von Berg, Wilhelm Riefan, Rudolf Schwarz, Hans Schilling, Joachim Schürmann, he created an impressive series of images of the post-war architecture of Cologne. The compilations included shots of architecture, interiors and the city at night. In addition, Schmölz worked with various companies on advertising, especially in the furniture industry.
Karl Hugo Schmölz was a German photographer.
In collaboration with the great Rhineland architects of his time, including Adolf Abel, Bruno Pohl, Dominik Böhm, Gottfried Böhm, Hermann von Berg, Wilhelm Riefan, Rudolf Schwarz, Hans Schilling, Joachim Schürmann, he created an impressive series of images of the post-war architecture of Cologne. The compilations included shots of architecture, interiors and the city at night. In addition, Schmölz worked with various companies on advertising, especially in the furniture industry.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Johannes Siegfried Richter (German: Johannes Siegfried Richter) or Hans Richter was a German painter, graphic artist, avant-garde film director and film theorist.
Hans Richter studied at the Berlin Academy of Fine Arts, then at the Weimar Academy. He was close to the expressionist group Sturm, influenced by cubism. He had his first solo exhibition in Munich in 1916. From 1916 to 1918, he was a member of the "Dada" group in Zurich. In 1922, came to Berlin. Made several films, where he tried to convey rhythm and movement by abstract means. In 1933 the Nazis ransacked Richter's studio in Berlin, confiscating or destroying his work. He was stripped of his German citizenship and called a "degenerate" artist and a "cultural Bolshevik". In 1940 he moved to the United States. Taught film in New York, continued his film experiments.
Johannes Siegfried Richter (German: Johannes Siegfried Richter) or Hans Richter was a German painter, graphic artist, avant-garde film director and film theorist.
Hans Richter studied at the Berlin Academy of Fine Arts, then at the Weimar Academy. He was close to the expressionist group Sturm, influenced by cubism. He had his first solo exhibition in Munich in 1916. From 1916 to 1918, he was a member of the "Dada" group in Zurich. In 1922, came to Berlin. Made several films, where he tried to convey rhythm and movement by abstract means. In 1933 the Nazis ransacked Richter's studio in Berlin, confiscating or destroying his work. He was stripped of his German citizenship and called a "degenerate" artist and a "cultural Bolshevik". In 1940 he moved to the United States. Taught film in New York, continued his film experiments.
Max Peiffer Watenphul was a German artist. Described as a "lyric poet of painting", he belongs to a "tradition of German painters for whom the Italian landscape represented Arcadia." In addition to Mediterranean scenes, he regularly depicted Salzburg and painted many still lifes of flowers. As well as oil paintings, his extensive body of work encompasses watercolours, drawings, enamel, textiles, graphic art, and photographs.
Michael Neher was a German painter and architectural decorator.
Michael studied at the Academy in Munich, in 1819 went to Italy and spent five years there, including two years in Rome, where he studied architectural painting in the studio of the artist Heinrich Maria von Hess, and in 1825 returned to Munich.
As a typical representative of the Biedermeier era, Neher produced many costume drawings and landscapes. He also became famous for his views of public places and architectural depictions of many Bavarian towns. From 1837, Michel Neher devoted himself entirely to architectural painting and traveled to improve his skills along the Rhine and to Belgium. In 1839 he painted several salons in Hohenschwangen Castle from designs by Schwind, Gasner and Schwanthaler. In 1876 he was made an honorary member of the Munich Academy.
